pocketseizure: (Teh Bowz)
About a month ago I mentioned that I submitted a pitch to an essay collection about gender and horror.

Of the three editors working on the collection, the male one just got back to me to say that he would be happy to accept my essay, but that he wants me to make it racist. "Can you tell me more about the cultural context of this piece?" he asks, which seems reasonable until he begins his series of follow-up questions. "For example," he says, "why do the Japanese find women so frightening?" Each question is worse than the last, but my favorite is, "Why is Japan so dysfunctional?" It's like, I don't know, Mr. White British Dude, why don't you tell me why the majority ethnicities of small island countries have weird anxieties relating to cultures other than what they perceive to be their own.

I don't want to be That Writer who is difficult to work with, but... I mean... I would feel weird if I didn't say something, even if it means this essay doesn't get published in this particular venue. I guess, as always, the keyword is "gently."
pocketseizure: (Mog Toast)
- This week I did my job. It was not unpleasant, but not easy either.

- I wrote a 5,000 word report regarding my business in Akita.

- I was really surprised to find that some of the questions I was asked to answer in my report reflected weird American stereotypes concerning Asians ("Did you find that [people] were able to voice their opinions instead of acting according to group consensus?") and the Japanese ("Were [people] unnecessarily cruel in any situation?"), so I had a long (to the tune of about four thousand words) email conversation with my liaison in which I requested that this racist nonsense be rectified.

- I wrote a slightly different version of the report in Japanese that weighed in at about 4,000 characters.

- I got invited to visit the North American headquarters of Nintendo in November. I accepted this invitation, OBVIOUSLY.
pocketseizure: (Default)
This is from Page 127 of My Lesbian Experience with Loneliness...

...wherein a depressed young woman finds the validation and acceptance she's been craving from an online community that supports her. I'm immensely happy for the artist, but this also breaks my heart. This is exactly how I thought it would be for me, and this is what I wanted from fandom, but it never happened.

There's another page in the manga where the artist describes feeling "like being at ninety-five percent rejection" just about all of the time, so that when she experiences even a small rejection it's like the end of the world for her. I think, more than anything, this explains why I tend to get so butthurt about Tumblr. I always feel like I'm already at 95% rejection, so then when I turn to fandom, expecting to find validation and acceptance, the extra 5% of rejection destroys me.

Just as the artist describes it, I have a feeling that I'm not working hard enough, and that I will never be able to work hard enough for my work to be accepted. I'm not depressed like the artist, but this sort of ongoing existential crisis creates the exact same sense of emotional precarity. I wish that fandom could function as a way to escape this emotional precarity for me as it did for her, but I'm already expending so much energy just treading water that I really can't see where I need to go to make that happen.

For the time being, I'm laying low while I take a small break to recover a bit of stamina.
pocketseizure: (Needs More Zelda)
- I put up a new book review on my professional blog.

- I put up a new post on my gaming blog.

- I flew to Japan.

- I'm so goddamn jetlagged, holy fuck.

- I'm doing my best on Instagram, I am trying really hard.
pocketseizure: (Teh Bowz)
In a chapter of her new book Kill All Normies titled "From Tumblr to the Campus Wars: Creating Scarcity in an Online Economy of Virtue," Angela Nagle summarizes her theory on how the right was able to take political power even while the left has become more stridently vocal. She writes:

In the early days of Twitter, a platform in which users are supposed to compete for followers and through which lagging careers can be instantly boosted through the correct virtue signaling, minor celebrities realized that one could attract a following greater than through traditional media. At first, self-righteously or snarkily denouncing others for racism, sexism or homophobia was the most instantaneous and certain way to achieve social media fame. Something about social media platforms, it turned out, was conducive to the vanity of morally righteous politics and the irresistible draw of the culture wars. But soon the secret was out and everyone was doing it. The value of the currency of virtue that those who had made their social media cultural capital on was in danger of being suddenly devalued. As a result, I believe, a culture of purging had to take place, largely targeting those in competition for this precious currency. Thus, the attacks increasingly focused on other liberals and leftists often with seemingly pristine progressive credentials, instead of those who engaged in any actual racism, sexism or homophobia.
Although I tend to think that Tumblr functions differently than Twitter in a number of meaningful ways, this hypothesis makes sense. In fact, I've posted multiple times here on Dreamwidth about how confusing and frustrating it's been for me to be attacked for seemingly minor infractions (such as finding nonwhite fictional characters attractive in the "wrong" way) on Tumblr while actual literal white supremacists drove the U.S. presidential election and were then treated seriously in the discursive forums of mainstream media.

That being said, Nagle's ostensible emphasis on rationality and resulting lack of empathy for other human beings calls her conclusions on leftist culture into question in its creation of major critical gaps. To give an example of what I mean, Nagle is deeply steeped in academic ideology (she wrote a dissertation about this, after all), but for some reason she refuses to reference any political theorists who aren't white, male, and European. As a result, the only women who appear in her discussion are either (a) real or hypothetical victims of online harassment, (b) "special snowflakes" on Twitter and/or Tumblr, or (c) herself, whom she repeatedly positions as being above the "fetishization of vulnerability" that she claims characterizes identity politics.

Essentially, Nagle is uncomfortable looking at the current political situation from the intellectual perspective of anyone who is not white, male, and European. This leads her to make numerous statements such as the following, which precedes a brief discussion of Gamergate:

First, let me be clear on my own position on gaming. If you're an adult, I think you should probably be investing your emotional energies elsewhere. And that includes feminist gaming, which has always struck me as being about as appealing as feminist porn; in other words, not at all.

Statements like this demonstrate that, for someone who goes through great pains in order to connect the contemporary alt-right to twentieth-century academic political philosophy, Nagle really... hasn't done all of the required reading, I guess.

Even though what Nagle is saying about the self-cannibalization of identity politics on Tumblr makes sense, I find it difficult to have any faith in her overall argument, which is basically that the trolls on Reddit and 4chan hate Tumblr-based leftist culture because of course they do, any sane person would. I mean, that's a reasonable thing to say, but it's not really a thesis statement that I would expect someone with a PhD to make, you know? What I'd like to see is a more sensitive and nuanced critique of Tumblr-based political culture from the perspective of someone who is more sympathetic to the concerns of the people who have created communities there; but, to be fair, Kill All Normies is very clear regarding the fact that its focus is on white men.
pocketseizure: (Ganondorf)
I'm having a small crisis of faith, so I'd like to affirm something in a semi-public space – it's always okay to gently push back against expressions of racism. Even if it's casual or unintentional. Even if you know the person will react poorly. Even if you're white. Even if this doesn't end all racism for everyone forever. You're not overthinking things, and you're not overreacting; you're just trying to make the space around you a little safer and more comfortable for other people to occupy, and there's nothing wrong with that.

I am overwhelmed with rage sometimes, but I think the key point is "gently." Sometimes people just need time to think and process things, and nobody is going to be receptive to being attacked.

The issue I often face, however, is that the person I'm trying to talk with isn't American, and sometimes they may not be completely fluent in English. They might not understand why I care so much, or perhaps my response is too "gentle" for them to understand that what I'm taking an issue with is an expression of racism, not the expression of their personal opinion.

I therefore have a weird kind of racism offsetting system – for every time I let things go instead of exploding in violent anger, I'll back an artist's Kickstarter so that their work can help to counter the broader situation of injustice in a more productive and meaningful way. I could just be deluding myself by thinking that this is in any way effective, but hey, more art and comics and stories in the world isn't such a bad secondary goal.
pocketseizure: (Default)
- I told myself that I wasn't going to participate in the Zelgan Big Bang, but then I got the most perfect idea, which I outlined to the tune of about fifteen hundred words. Basically I want to write (a highly condensed version of) A Hundred Years of Solitude set in the universe of Breath of the Wild. Even if no one ends up reading it, it's more or less writing itself, so I'm not too concerned.

- In the meantime, I sneezed and four thousand words of Peach/Bowser smutfic came out. This story (such as it is) needs another thousand or so words and a lot of editing, but I'll probably post it at some point over the coming week.

- I commissioned Kathryn Layno to draw a more mature version of Princess Zelda – Queen Zelda, if you will – as an illustration for The Marriage of Lanayru, and she did good work (link).

- I commissioned Promsien on Tumblr to draw Calamity Ganondorf, or what Calamity Ganon would look like in Breath of the Wild if it had a human form. She came up with something truly incredible (link), which has fueled me with inspiration to write the Big Bang fic.

- I kicked off the process of commissioning Lightsintheskye to illustrate The Legend of the Princess, and we've already got one illustration squared away. I'm not sure that she'll post it; and, if she doesn't, I might wait until I've recommenced work on the story to post it myself. In any case, this artist is an absolute joy to work with, and I'm starting to get the feeling that her talent doesn't have any real limits. This is a little scary, but it's also kind of awesome.

- Commissioning people actually involves a lot of writing, not to mention a great deal of creative and emotional energy. On one hand, you could say that I'm just as bad as one of those furries from the 2000s who commissioned multiple artists to draw their Neopet personas. On the other hand, you could say that I am very passionate about art and writing and storytelling, and that I'm simply using The Legend of Zelda as my current medium. I'll move on eventually, but for the time being I think I'm doing good work where I am.

- I translated two pages from the newly released Hyrule Encyclopedia and then reblogged them with added commentary (here and here).

- More tag wrangling on Tumblr. I removed a lot of stuff that I didn't particularly care for yet reblogged just to be nice to the artists and/or the fandom. This made me feel horrible, but it was cathartic. I also deleted a bunch of entries here on Dreamwidth in which I was trying to process my feelings about Tumblr-based Zelda fandom. That nonsense is childish and not worth my time.
pocketseizure: (Celes Chere)
- The essay I wrote about Twilight Princess is going off to press, so I went through the galleys to make sure everything looks okay. The editor did a wonderful job with my writing, and the page layout editor did a wonderful job with the images, so this was actually pretty easy.

- An essay I wrote about Tokyo Jungle back when the game came out years and years ago is finally going off to press as well, but the publisher pulled some shenanigans and said that I can't include the epigraph. Since I refer to this epigraph multiple times throughout the essay, I had to copy and paste it into a block quote while slightly reframing the introduction. The actual edits weren't taxing, but I had to put some serious effort into anger management.

- I finished The Museum of Hyrule, dividing the last chapter into two chapters due to length and thematic structure. I also ran the full story through another set of edits, and I think it's pretty good. Although I've been outlining the plot for some time now, a complete 14k word fic in a month is a pretty major accomplishment. Good job team. Although honestly, this was a huge amount of work for me. I can't believe that some people are able to write a full 60k word novel for Nanowrimo, how is that even possible.

- I really love Erin Lyn Hardacre's illustrations based on Ocarina of Time (here's an example), so I commissioned her to draw Zelda and Ganondorf sharing a look of mutual acknowledgment (which she posted here). In order for flowers to bloom in spring, the earth must first be prepared by the storms of autumn, and the seasons progress in an endless cycle. In this illustration, Zelda and Ganondorf take a moment to respect each other's roles in this cycle, and the flowers framing their bodies give the piece a lovely art nouveau feel. What I've always appreciated about the artist's work is the kindness and compassion she brings to her subjects, and she did a fantastic job with this commission, rendering both characters as human and sympathetic.

- It seems that some of the images embedded in the author's notes of my fic on AO3 weren't loading, so I went in and checked what was going on. I had been hosting the images on Tumblr, and it looks like some of the URLs changed. I updated the code, but I'm going to need to start thinking about moving the images to a more stable location. In any case, I also added an "Illustrated" tag to the appropriate stories.

- More tag wrangling on Tumblr. Aside from editing individual posts, I also updated my list of tags, where it seems that a good half dozen of the links had been removed for no reason at all. This actually isn't the first time this has happened, so it's a good thing that I keep checking to make sure everything works. Fucking Tumblr, I swear.
pocketseizure: (Needs More Zelda)
"I really wish I were good at art. It would only take fifteen minutes a day," I think to myself, having just spent the past five hours writing. "It's not that hard. Why am I so lazy?"
pocketseizure: (Default)
Shut The Fuck Up, Marvel is a free downloadable Twine essay about why the American comics system is broken, as well as why what the industry's marketing people say on Twitter is garbage. This seems to be the heart of the matter:

Let's talk a little more about the economics of the direct market pre-order system, and how it all shakes out in a way that doesn't help anybody at all in the chain. It's not great for the reader, it's not great for the retailer, and ultimately, it also deeply hurts the publisher's ability to make and sell comics themselves. Top to bottom, the system sucks shit.
I've been hearing artists complain about the preorder system for years now, but to my (limited) knowledge no one has ever really put everything together in a cogent explanation like this. The author also factors in manga (and webcomics like Homestuck) as a competing market, which I very much appreciate.

I really like the format of the essay. Maybe one of these days I should consider doing something like this myself.

Paris FAQs

May. 18th, 2017 06:13 am
pocketseizure: (Gator Strut)
Are there a different set of Pokémon that appear in Pokémon GO?

No, unfortunately not.

Are you really still playing Pokémon GO?

I don't know... Maybe?

What level are you at?

I'm at level 30, the old level cap. I told myself I would quit when I got this far.

How's that working out?

Okay look, I love Pokémon, that's a normal healthy adult mindset.

Why didn't you bring your Nintendo 3DS with you?

I thought I would be working and not wasting time on games.

Games like Pokémon GO?

Listen there are a lot of Pokéstops here, it's culture, I am becoming cultured.

Is there a lot of culture in Paris?

There is a fucking ton of culture, I'm almost at level 31.
pocketseizure: (Terra Branford)
My goal for this week was to not let inane bullshit bother me. As you might imagine, I was not entirely successful, but I did not express my annoyance or anger even once. Drinking definitely helped, I was so right about this being the case. Also:

- I sent off an abstract to an essay collection about gender and horror, which is going to be published by a very! nice!! press. I wrote the essay back in 2014, but I never submitted it anywhere because I was living in Indiana and too busy hunting moose on the tundra. Now that I'm reading the essay again, I realize exactly how dark and dangerous my mental state was at the time, but I suppose that's appropriate to the theme. Anyway, it's a good essay, and I wrote a good abstract for it, and I hope it gets accepted.

- I wrote a short fic about Breath of the Wild after reading a super epic thread about the ontology of Calamity Ganon on the Zelda Universe forums. I was thinking that this would serve as a pilot piece for a longer project, but it didn't get any notes or kudos, so... maybe not. I mean, fandom is weird, and you can't win all the time.

- I've been editing some of my earlier fic, mainly for minor typos (for example, I would write "loathe to admit" instead of "loath to admit"), which I'd say I'm now finding at the rate of about one per every four thousand words. Going through my old fic is a slow process, but it's not as painful as it used to be.

- Actually some of my old fic is really good! When I read it again I was kind of surprised??

- It's weird to list this as an accomplishment, but I got started on some tag wrangling on Tumblr. If I keep up with this at a steady rate, it's going to take a long, long time, but I think it's worth doing. About once every four or five days I will get someone who comes onto my blog and likes everything in a certain tag, so I feel that it's a meaningful project to make sure all the tags are in order.

- I drew a picture of Princess Peach being cute. I had intended for this to be a longterm practice piece for coloring in Photoshop, but then I was just like, eh fuck it. I've been watching tutorial videos and picking up a few things here and there, but my progress is slow. In the meantime, it's not fair to expect my work to be perfect, and being able to post one "finished" image a week is a reasonable goal, right?

And now – like literally right now – I am going to get on a plane and fly to France. Au revoir dudes!
pocketseizure: (Default)
So this (link) was a story in the Washington Post this morning:

Bowing to public uproar and deeply skeptical council members, Mayor Muriel E. Bowser has scrapped proposals for a far-reaching set of animal regulations that would have decidedly cramped the style of cats, dogs and chickens in the nation’s capital.
Also golden:

"This is not a war on pets," City Administrator Rashad M. Young said.
It's sometimes difficult to get myself to read the news these days, but at least I can always look forward to the antics of the DC mayor, a fundamentally smart and decent person who despite everything is almost comically inept at politics. She will typically have a good idea, take that good idea just a step too far, face a ridiculous amount of opposition, and then have one of her spokespeople deliver a series of acerbic one-liners to the press. I kind of feel bad for Mayor Bowser, but I am here for the ripostes.
pocketseizure: (Mog Toast)
When it comes to video game villains, there's a certain amount of puppy kicking that you have get past in order to figure out what's going on with them. Nintendo villains tend to not kick a lot of puppies, especially compared to Final Fantasy villains, who routinely have puppies positioned directly in front of their waiting feet.

Seymour is especially bad in this regard. He doesn't particularly come off as insane, but the game gives him so many puppies to kick that it's hard to understand who he would be if he weren't a video game villain. He hardcore creeps on Yuna and then tries to kill her, he murders multiple highly ranked members of Yevon (including his father), he orchestrates the mass slaughter that is Operation Mi'ihen, and his ultimate goal is to become Sin so that he can end human suffering by destroying every person in Spira. I define all of this as "kicking puppies" because it's over-the-top evil behavior that doesn't really serve any narrative purpose aside from establishing the villain as the bad guy. Seymour is difficult to understand because, once you take away all this puppy kicking, there really isn't that much there.

In the Japanese version of the game, a lot of the heavy lifting is done by Seymour's voice actor, Junichi Suwabe, who is quite prolific and especially known for playing characters who are brilliant but slightly unhinged (such as, most recently, Victor in Yuri!!! on Ice). Suwabe's voice basically sounds like liquid sex, which goes a long way toward establishing a seductive quality to Seymour's character, thus offering a partial explanation as to why he would have risen so high in Yevon. In Japanese, there's a strong social positivity attached to the sort of highly formal and "soft" speech that Seymour uses, which is supposed to give us an impression of him being cultured and intelligent and every bit the summoner and scholar everyone makes him out to be.

I think this is the key to understanding the real conflict that Seymour represents, which has more to do with Yevon than it has to do with him. In Spira, Yevon controls absolutely everything. Although tradition and religious faith comfort the people, Yevon is thoroughly corrupt and does nothing to actually protect people from Sin. The high-ranking clergy know that Sin can never be defeated by summoners, but they still take advantage of the people's faith for political and economic gain. Because Yevon's power is so deeply entrenched in the culture and society of Spira, only an outsider would be able to resist it.

As a the child of an interracial couple who lived in exile for most of his life, Seymour had the potential to be that outsider, but he devoted all of his energy to becoming an insider. He rose high in Yevon, which is, after all, what his father and mother wanted him to do, both of them hoping that he could prove instrumental in easing the racial tensions that were exacerbated by Maester Mika's integration policies. As one of the members of the esoteric inner circle of Yevon, and as someone who has witnessed the horror of what it means to be a Fayth, Seymour has access to information that most people in Spira do not, but he is not able to do anything productive with this knowledge and insight.

Seymour resists the myth that Spira can be saved from Sin, but he has also bought into it so deeply that he has begun to embrace the original purpose of Sin, which was to protect Spira from complete annihilation by blasting its level of technology back to a preindustrial level. Seymour could have become a radical, but he is way too invested in the system. Essentially, his "evil" is that he has assimilated.

Tidus is a true outsider, which is why he gets to be the hero of the game. Still, Seymour is correct in his understanding that everything in Spira is a "spiral" of death from which it is incredibly difficult to escape. If Sin is not defeated, people may suffer at some undetermined point in the future; but, if Sin is defeated, everything will change, and people will suffer right now. Basically, change is hard, even if it's beneficial in the long run. If the system changes, people will lose things that are important to them. Tidus is clueless about all of this, and so he questions and undermines and breaks the system without really thinking about the larger consequences.

In the end, however, neither Tidus the radical nor Seymour the reactionary is a sustainable position, and it's actually Yuna, the compassionate young women who can understand both positions, who survives and addresses all of Spira after both Tidus and Seymour are gone.

I think Final Fantasy X is a very political game, and I get the sense that what is being critiqued by its story is Japan's Imperial system. With strong references to Okinawa and hip hop fashion, Final Fantasy X draws on the culture of Japan's "lost decade" of the 1990s, when people desperately wanted to see change in their society. Japan can't escape the dark legacy of the Second Sino-Japanese War and the Pacific War if it doesn't change, but it can't transform itself if it doesn't let go of the Imperial system, which is difficult to reform or dispose of. The older Seymours are too invested in the system, while the radical inclinations of the younger Tiduses fade like a dream. Someone like Yuna, who is both an insider and outsider and possesses the empathy to see the problem from multiple viewpoints, needs to step forward and save Japan by uniting disparate groups of people with a message of hope and a vision of an alternate future.

And that, as they say, is that. Or not?? To be honest, I'm still thinking this through.
pocketseizure: (Cecil Palmer)
I never get as much writing done as I think I'm going to. For some reason I always forget that everything takes so long. Why does everything take so long?? I don't know, I don't even know. But anyway...

- I posted the second chapter of my Zelgan fic The Museum of Hyrule. No one is reading it, but it is REALLY GOOD or at least really specific to my interests.

- I posted a new book review to my professional blog.

- I made two longish posts on my video game blog. The first is about how much I like Breath of the Wild, and the second is about my concerns with the game's story. Basically, it is sexist and racist and also a little homophobic. I mean, I love Breath of the Wild so much that it's borderline pathological, but someone needs to come out and say that it's not a 100/100 perfect game, you know?

- I wrote a critical essay about a certain aspect of Breath of the Wild that is problematic but makes a whole lot more sense when you consider that the game is Japanese. I posted this essay on Tumblr but made it long and difficult to reblog because I didn't particularly feel like dealing with a new batch of rape threats this week. As a result, the essay didn't get a lot of attention, but the one or two people I wanted to see it did in fact see it, which is all that counts in the end.

- I made one stupid drunken shitpost about Zelda that got some notes, and then I made another stupid drunken shitpost about Zelda that got more notes, and also I made a third stupid and very drunken shitpost about Zelda that sort of got out of control. The moral of this story is that I should get a life.

- I drew a picture of Link from Spirit Tracks. Hooray!

- I contributed almost nothing to this aside from some encouragement, but Ari-Draws-Things on Tumblr made a cute little comic in two parts (one and two) based on one of my stories. I am so honored and delighted!!

My goal for next week is to try not to get upset over stupid and petty nonsense. I may be wrong, but I think the solution probably involves alcohol. Taking a drink every time I start to feel sad and worthless will not be easy, but I am very committed to my mental health.
pocketseizure: (Default)
My mission this week was to buy clothes and shoes for my work trip to Paris, and I accomplished that mission. Since I'm getting ready to go abroad, I've been really busy at the office, and next week is going to be even worse. In the meantime, this is what I accomplished...

- I sent off the final edits for a longish book review that will hopefully be published in September.

- I sent back the galley proofs for my contribution to a book that will hopefully also come out in September. Its listing just went up on Amazon, and the cover is beautiful.

- I posted the first chapter of my Contemporary AU Zelda/Ganondorf fic The Museum of Hyrule, which I've been fooling around with for more than six months now. I was planning on waiting to post this story until I had completely finished writing it, but whatever. I can sometimes be delusional about my own work, but I think this fic is really good. I'm excited about it, and I want other people to be excited about it too.

- I commissioned Cockismybusiness on Tumblr to draw me a picture of Princess Zelda from Breath of the Wild as the fierce and determined scholar that she is. I got sick of seeing her crying all the time in people's fan art, you know? Cocky and I had a good conversation about this, and then she drew the most perfect thing in response. I'm always so impressed by her work, and it's cool that we're friendly. She is one funny motherfucker on Twitter, and I sort of wish I had the emotional energy to spend more time there so that I could retweet everything she writes without it being weird. Anyway, this was a good commission, and it makes me happy.

My goal for next week is to stop being so lazy and useless and cowardly and draw some stuff.
pocketseizure: (Terra Branford)
For my class on Final Fantasy X this semester I've been using screencaps from my current Steam playthrough for my PowerPoint slideshows, but as I've been putting together my last (thank god) presentation I realized that I'm missing a crucial shot. I had a vague memory of saving someone's screengrab from Tumblr a few years ago, so I went into my old "Final Fantasy" image folder to see if it was there. In fact it was, along with dozens of screencaps of Barret being his beautiful self.

I never really thought of Barret as being one of my favorite Final Fantasy characters, but the results of my pre-2014 internet magpie tendencies prove otherwise. I have like one picture of Sephiroth, maybe three or four of Cloud, and a good half dozen of Tifa, but most of the FFVII images in that folder have something to do with Barret. Honestly I still love him, and I regret nothing.
pocketseizure: (Default)
Me: So they finally have concrete plans to release a movie of The Dark Tower? Haha okay whatever, sounds great lol, there is no way I would ever go see that.

Columbia Pictures:

Me: โ๏∀๏ใ

Me: (//ロ゜)//

Me: ୧༼☆ ͡◕ д ◕͡ ༽୨
pocketseizure: (Cecil Palmer)
The only thing I did this week was to write and memorize a 3,800 word paper. It wasn't my best work, but I can now say that I have delivered a lecture about Steven Universe at a prestigious East Coast art school. I am very special and important, lol forever.

I don't talk about it here, and I certainly don't talk about it on Tumblr, but I really love Steven Universe, and what I'm especially interested in are the career trajectories of the lead writers and artists. I argued that these people came from fandom cultures and brought the concerns of their fandoms with them into mainstream media. I mean, this isn't really an argument so much as it is a compilation of data. Like, if you're on Tumblr, you watch this happen over and over and over again. Writers and artists have to come from somewhere, after all. I suppose that what's interesting about Steven Universe is that it clearly indicates that the talent pool is becoming more visibly diverse and inclusive, as contemporary fandom culture (very broadly speaking) tends to encourage and support diversity and inclusivity. Disney has also been fairly diverse since at least the late 1980s, but they've always been at pains to hide that diversity behind white male directors and producers. It's not my business to predict the future, but it's my hope that this is changing.

Anyway, I also made a PowerPoint slideshow, which was very pretty with lots of slide transition animations. One can never have enough sparkles, but I may have come close.

As a means of procrastinating on all of this, I also wrote a one-shot fic based on something a friend on Tumblr said about Ganondorf being a shitty evil uncle to a bunch of adorable Gerudo girls. Even though things didn't turn out well for him in Ocarina of Time, Ganondorf had a lot of supporters among the Gerudo, and it's reasonable to assume that he probably brought back really nice presents that he looted from the corpses of the people he killed in Hyrule, right?
pocketseizure: (Ganondorf)
It's funny, but I think I'm more disciplined about playing Breath of Wild than I've ever been about anything in my life.

Don't get me wrong, playing the game doesn't feel like work, but it does require mental energy. It's not difficult, per se, but it requires that you be fully engaged with the diegetic environment. Sometimes when I get home in the evening I just want to take a bath and read for a bit and go to sleep, but I've been forcing myself to sit down on the couch and turn on the Wii U so that I can get just a little farther in Breath of the Wild.

Every night I try to play through at least one shrine. Shrines are puzzle-based mini-dungeons, and since they're hidden all over the world (often in dangerous areas) locating and then being able to access a shrine is often a major task. There are 120 shrines in the game, and some of them are significantly more difficult than others. If I can, I've also been trying to complete or at least trigger one side quest a day.

Meanwhile, I haven't gotten very far in the main quest at all. The story (such as it is) is told through a series of flashback sequences, and I watched them all on Youtube a day or two after the game came out. I mean, this game really isn't about story. There's a princess who wants to be a hero, but because she's a girl and doesn't have The Phallus Of Destiny her job is to sit in the castle and wait for the hero to save her. Some story, right? Nothing in the game really changes if the player completes one of the dungeons, so I'm saving them for when I get around to it.

For the time being, my goals in the game are to make Link (1) rich, (2) swol, (3) fashionably dressed, and (4) a certified master chef, and I am making good progress.


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